Conference – Beirut 3-7 May 2017

            

International research conference

Khamriyya as a World Poetic Genre:

Comparative Perspectives on Wine Poetry in Near and Middle Eastern Literatures

American University of Beirut, 3-7 May 2017

PROGRAMME

PARTICIPANTS

Vahid Behmardi (Lebanese American University)

Enrico Boccaccini (Göttingen University)

Michael Cooperson (UCLA)

Kirill Dmitriev (University of St Andrews)

Orhan Elmaz (University of St Andrews)

Jeremy Farrel (Emory University)

Maryam Ghorbankarimi (University of St Andrews)

Renate Jacobi (Freie Universität Berlin)

David Kiltz (BBAW Berlin)

Sooyong Kim (Koç University Istanbul)

Hajnalka Kovacs (Stanford University)

Matthew Thomas Miller (University of Maryland)

Hakan Özkan (Universität Münster)

Bilal Orfali (American University of Beirut)

Maurice Pomerantz (New York University Abu Dhabi)

Christine van Ruymbeke (University of Cambridge)

Asghar Seyed-Gohrab (Leiden University) tbc

Sunil Sharma (Boston University) tbc

Ilse Sturkenboom (University of St Andrews)

Adam Talib (American University in Cairo)

Joachim Yeshaya (KU Leuven)

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Khamriyya as a World Poetic Genre: Comparative Perspectives on Wine Poetry in Near and Middle Eastern Literatures

Collaborative Research Initiative

Department of Arabic and Persian, University of St Andrews

Faculty of Asian and Middle Eastern Studies, University of Cambridge

Main Objectives 

The project is a collaborative initiative of the School of Modern Languages at the University of St Andrews and the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. It aims at exploring the history of wine poetry in various Near and Middle Eastern literatures from its origins in the 6th century up until the early modern period.

Khamriyya represents along with ghazal a major form of poetic expression in various literary traditions including Arabic, Persian, Hebrew, Syriac, Ethiopian, Armenian, Georgian and Ottoman Turkish. Historical diversity and aesthetic versatility of khamriyya defined its development over many centuries in different cultural, religious and social contexts. In order to reveal the richness and importance of khamriyya as a world poetic genre, the initiative applies a comparative approach, which will help understand the transformations of the genre throughout different periods of literary history and across diverse cultural and linguistic milieus.

The initiative welcomes contributions exploring various aspects of wine poetry in comparative perspective of Near and Middle Eastern literatures with the focus on the following topics:

1.   Recusancy and transgression: wine poetry challenging cultural, social and religious norms of the society.

2.   Imagery and stylistics: aesthetic transformations in the history of wine poetry.

3.   Adoption and transmission: wine poetry crossing linguistic and cultural borders.

Agenda

The initiative will be conducted in 2014 – 2017 in form of lecture series, research workshops in St Andrews and Cambridge, and a conference in Beirut.

The initiative is supported by the Honeyman Foundation (St Andrews) and various research funding at FAMES (Cambridge). The results of this collaborative research will be published in a dedicated volume or special issue of a journal.